After the Aral Sea: Nature and Community Resilience
After the Aral Sea by Anush Babajanyan

After the Aral Sea

After the Aral Sea presents Anush Babajanyan’s study of a landscape once synonymous with ecological collapse, now reframed through stories of resilience, adaptation, and quiet renewal. Along the former shoreline in Uzbekistan and Kazakhstan, families herd camels across salt plains, scientists trial salt resistant plants, and fishermen return to the revived waters of the Northern Aral. The work traces how communities reclaim livelihoods, replant native vegetation, and find meaning in a changed environment. Through photography and storytelling, it asks what it means to remain when nature appears to disappear, revealing the strength of people who refuse to be defined by loss and who build a future at the shifting edge of a vanished sea.

What you will take away:
• Clear context on the Aral Sea’s environmental history and the practical measures behind partial recovery
• Field insights into documenting climate adaptation, from community agriculture to fisheries and habitat restoration
• Techniques for ethical, solutions focused storytelling that balances evidence, nuance, and hope

Who this is for:
• Documentary photographers, journalists, and filmmakers working on environment and climate narratives
• Editors, curators, educators, and NGOs seeking case studies in resilience and community led renewal
• Students and practitioners interested in long term projects that combine science, policy, and lived experience

  • Duration 30 minutes

التاريخ

31 Jan 2026

الوقت

17:45 - 18:15

الوصف

TalK

الموقع

Stage X
النوع

المتحدث

  • أنوش باباجانيان
    أنوش باباجانيان

    Anush Babajanyan is an Armenian photographer, contributing member of VII Photo and a National Geographic Explorer. Based between Yerevan and Munich, she focuses on long-term documentary projects across the South Caucasus and Central Asia. Her recent book A Troubled Home explores life in Nagorno-Karabakh. Anush won the 2023 World Press Photo Long Term Projects award for Battered Waters and received the Canon Female Photojournalist Grant in 2019. Her work has appeared in The New York Times, Washington Post, GEO, and other major international publications.

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