The Art of Pitching: How Photographers Ignite Ideas
The Art of Pitching: How Photographers Sell Ideas

The Art of Pitching: How Photographers Sell Ideas

A behind the scenes look at how photographers present stories, connect with editors, and turn concepts into commissioned work.

Introduction:

Pitching is the bridge between a strong idea and a real assignment. In this workshop, Managing Editor at National Geographic Samantha Clark, together with photographer and editor Claire Harbage, will guide you through the art of presenting your ideas with clarity and purpose. You will explore how to structure a compelling pitch. Understand what captures an editor’s attention and refine the way you communicate your vision. Expect a mix of practical guidance and hands on development, with opportunities to shape an idea from its earliest spark into something ready to send out. Participants are welcome to bring anything from a loose concept to a fully formed project.

Description:

This four hour workshop is designed to help photographers articulate their story ideas in a way that resonates with commissioning editors. It reflects the realities of editorial decision making. It opens with a clear explanation of what makes a pitch work. You will look at how to define a strong angle, why relevance and timing matter, and how to communicate what makes your perspective distinct. Samantha and Claire share insight from the editorial side of the industry. They offer examples of what typically stands out and what often causes a pitch to lose momentum.

The session also covers the practical considerations behind pitching. You will learn how to judge whether an idea is ready to approach an editor. Discover how to target the right publications and how to communicate with confidence and purpose. The workshop explains subtle cues that signal professionalism, as well as common habits that dilute strong ideas.

A significant part of the workshop is devoted to developing your own pitches. Participants spend time refining a story idea with guidance from the trainers and through peer discussion. Working in small groups and as a whole class, you will explore how to strengthen the logic and structure of your idea. Additionally, you will learn how to position its most compelling elements and how to prepare it for submission. By the end of the session, you will have a sharper, more deliberate way of communicating your ideas. You will also gain a repeatable process for shaping future pitches.

Modules:

Module 1: Pitching best practices
Module 2: Summary exercise and partner review
Module 3: Group pitch and critique

What Should Students Bring?

Laptop
Examples of work in digital or printed form

Closing notes:

This workshop will strengthen your ability to communicate ideas with clarity, focus and editorial awareness. You will gain practical tools that support professional growth and help you position your work more effectively within the industry. A certificate of completion will be issued to all participants.

  • Duration 4 hours

Book Event

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APHP
$150
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Available Tickets: 8

The Art of Pitching: How Photographers Sell Ideas

The "APHP" ticket is sold out. You can try another ticket or another date.

Date

30 Jan 2026

Time

15:00 - 19:00

Cost

$150.00

Labels

Workshop

Location

Workshop Zone

Trainers

  • Samantha Clark
    Samantha Clark

    Samantha Clark is Managing Photo Editor for Digital and Short Form Storytelling at National Geographic, leading teams producing visually impactful content for global audiences. Her editorial projects have earned recognition from prestigious journalism institutions. Prior roles include NPR, KQED, and Pier 24 Photography, with extensive experience in science, environmental, and cultural storytelling. Samantha holds a master’s degree in journalism from UC Berkeley, where she received the Jim Marshall Fellowship, reflecting her expertise and commitment to impactful visual journalism and storytelling strategy.

  • Claire Harbage
    Claire Harbage

    Claire Harbage is a visual storyteller and editor at NPR, the United States’ non-profit National Public Radio network. Based in Washington, D.C., she is known for immersive reportage on global crises where human resilience and dignity prevail. She holds two master’s degrees from Ohio University in Visual Communication and African Studies and is trained in documentary photography at the Salt Institute. Before focusing full-time on photography, she taught at Ohio University and Maine Media Workshops and worked as a photo editor and reviewer. Her work has earned awards in

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